Friday, February 13, 2015

Stacey McDonald (Reading Response #2)

What message do you think these authors are giving about romantic relationships and friendships?  What in the stories helps you support that this is the message they are communicating?

After completing this week’s stories, I think the message that the authors are trying to communicate is that you can't force love when it is not there. 
In “The Sun, The Moon, The Stars,” by Junot Diaz, we are presented with Yunior, a young man that claims to be in love with his girlfriend, Magda, but when they hit a rough patch, he looks for comfort in another woman, and then is surprised when Magda realizes she can’t forgive like she thought she would be able to.  On page 5, Yunior himself says, “You couldn’t think of anybody worse to screw than Magda.” Yet there he is, a man with a perfect woman, taking advantage of the fact that she is such a forgiving soul. When you love someone and things hit rocky waters, you don’t sleep with someone else and use it as an excuse, that doesn’t solve everything, it only makes it worse. He DEEPLY embarrassed her. The other woman, Cassandra, wrote her a goddamn letter, her family knew, her friends knew, and none of them were going to let her easily forget it.  On page 6, he says, “Magda starting turning into another Magda.”  Well what did you expect, Yunior? You weren’t exactly the man that she thought loved her anymore. She knew she couldn’t trust you, and in situations like that, I believe it gets harder over time, not easier, and he just wanted her to forgive and forget.
In “How,” by Lorrie Moore, I was reminded slightly of the wife in “The Story of an Hour.” In the beginning, we are given a picture of a couple that’s beginning to fall in love, beginning to form the “perfect relationship.” By now we should all know that the perfect relationship simply does not exist. After moving in together, the cracks in the relationship begin to show more and more. After they attend a wedding together, we are informed that she doesn’t want to marry, and he wants a family. As she gets more and more restless in the relationship, she begins to develop a wandering eye, and eventually cheats on her boyfriend with an actor she meets god knows where. This affair is carried on for what we can only guess is an extended period of time, and then she finally finds the courage to leave her unhappy relationship, her boyfriend gets sick. It is my belief that you shouldn’t stay in an unhappy relationship because you feel obligated to. It only makes things worse. She even starts fantasizing about him dying, and plays out what she would act like at his funeral as she stood next to his mother and sisters. It’s disgusting.

Finally, in “Hills Like White Elephants,” Jig and the American are a young couple that seem to travel a lot, and one day while waiting for the Madrid bound train, we have the opportunity to listen in on their conversation about the abortion that the American is trying to convince Jig to have. Throughout the story, Jig is constantly flip-flopping on whether or not this is something she wants, yet the American remains sure of his decision. He even tries to manipulate her into thinking that this is her decision, even though he is clearly saying that she can’t have both him and the baby.  Jig is under the impression that if she gets the abortion, he will love her again, and everything will be okay. This poor girl clearly doesn’t realize that if he loved her, it really would be her decision to make, and there would be no hidden agenda. It was only at the end of the story, when Jig says, “there’s nothing wrong with me. I feel fine,” that I have any hope for her.

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